Baroque console in carved, gilded wood and with marbled top, Piedmont, mid-18th century. Supported by a pair of wavy legs connected to each other by a crosspiece carved in the central part with the face of a cherub, the console features various types of decorations, including curls, ‘C’ shaped volutes, rocaille and plant elements. Completely regilded in the 19th century; deficiencies in the carving.

Epoch style coffee table with top made up of different types of breccia with a central rosette. Support structure in metal. Italy, 20th century.

Open desk in red lacquered poplar wood, central Italy, mid-18th century. Three drawers in the undertop band, pair of side doors. Front and sides decorated with ocher frames, some of which lozenge.

Elegant flower stand, with shelves, in Art Deco style, by André Groult (1884-1966), France circa 1925. Wooden structure topped by four shelves assembled with large exposed wooden screws. Black lacquered structure and red lacquered shelves. Wear consistent with age and use.

Original family table coat of arms table from the Wilhelminian era Dimensions. Height x width x depth 79 x 56 x 56 This is an original coat of arms table / table from aristocratic ownership from the Wilhelminian era around 1875. This table is beautifully designed and elegant as well as very nicely made. The body of this table rests on 1 column base which ends on 3 small feet. The plate is a highlight which has a fantastic shape. The surface of the plate is embossed with leather in which royal crowns and coats of arms of the time are immortalized.

Material: solid wood, elegant chrome-plated brass.
Modernist versions with double U-shaped base made of polished chrome-plated tubular steel, on a lacquered wooden base and round table top.

Elegant console supported by wavy front legs finely carved with lion face and feline paws lean on a mixtilineal base. Band with cherry drawer divided into compartments. Framed Bariglio Marble countertop. It has a tilting mirror with octagonal grooved frame holded by finely carved curnucopias. Mahogany pedulle slabbed. Shows the influence of the workshops of the cabinetmaker Peters.

Pair of baroque walnut consoles, Lombardy, early 18th century. The front is composed of a succession of curls and wavy elements, according to a well-defined design; reserves, leafy and shell-shaped elements and small festoons with a flower in the centre, falling from the upper part of the uprights, complete the front decorative apparatus. Shaped top, crosspieces and turned rear uprights, the latter protruding laterally compared to the front uprights and embellished with a bulbous element placed at half their height. The layout and the carvings of the front present a typically Lombard layout, characterized by a strong resemblance to a group of seats of Fantonian origin, included within the collection of the Museum of Applied Arts at the Castello Sforzesco museum complex in Milan.

Exotic wood desk with front with seven drawers, the only central one in the undercounter band accompanied by a drawer pull. Stiff legs. Exotic wood panelling and bordering throughout, inlaid mouths. Spruce interior. Lacks. Italy early 18th century.

Napoleon III side table in marquetterie exotic wood and bois de violette, France, late 19th century. Upper surface equipped with a removable glass tray and connected to the lower surface by wavy uprights. Entirely decorated with finely chiseled gilded bronzes, used to make the edge of the tops, the handles and the classic-style applications depicting corncucopias, leafy and floral elements, ribbons and masks. The goat-shaped shoes are also in gilded bronze. Restored.